Will they focus on his earlier life, his brilliance as a musician, his success in spite of an abusive father… while glossing over all the really weird stuff at the end? Whose version of the truth will Hollywood subscribe to? Michael's hazy fantasy of never-ending youth or the world we saw from the outside, of inappropriate behavior and spiraling excess? Or perhaps most importantly, who will they cast to play him?
Before Tinsel Town botches it, we're stepping in preemptively to give them a little friendly advice. If you have to make a Michael Jackson movie Hollywood, then consider these casting choices before you do it.

Free Willy & Final Years Michael

It has to be Eddie Murphy, doesn't it? Sure they'll have to slather him in freakish prosthetics but if Robert Downey Jr. can get away with blackface then Eddie can certainly pull off whiteface. He has the right build (or close enough), he can sing (sort of), he can dance (or at least simulate it), and by the time they start casting this thing he'll be ready for another one of his twice a decade dips into serious movie making. Eddie will smell Oscar and lobby for this part hard knowing that his usual competition, the likes of Jamie Foxx, Denzel Washington, and Will Smith lack either the physical build or the musical chops to pull of the part. Plus Eddie's no stranger to prosthetics. If he wants to play MJ, he'll land it. It just makes sense.

Sure he's white but so was Michael, sort of, by the end. Nobody captures freakish insanity better than Crispin and in the last decade, in the public eye at least, that seemed to be all that was left of the man. Jackson's journey is almost Howard Hughes' like in nature and there's nobody better than Crispin for walking around with Kleenex boxes for shoes. Would he do it? Probably not, he's more interested in bizarre filmmaking projects that no one wants to see, and of course there's no way Hollywood hires anyone who's not a big name, bankable star for this part. Still, if you've seen Willard or even paid attention to the few moments he shows up on screen in the Charlie's Angels movies, then you know there's no one more perfect than Crispin Glover to portray Michael Jackson at his lowest of lows. Insanity is Crispin's reality.

Thriller Michael

You've probably got a bad feeling about this. Me too. Damon Wayans Jr. is the son of Damon Wayans Classic and he's already started climbing the Hollywood ladder as the one of the leads in the early year parody flop Dance Flick. He's a comic, which means he probably already has an MJ impersonation (don't all comedians?), he's a martial artist, snowboarder, and apparently he can dance. He's one of a dozen names which could easily end up with the role (and if Denzel Washington is somehow involved in producing then get ready for Derek Luke) but to me, he seems like exactly the kind of talent sleazy Hollywood producers might go for.

Sure he's getting a little long in the tooth, but shave off his beard and Andre will instantly lose a few years. He's got the build, he's got the moves, and even though he's yet to really prove it I've long had this sneaking suspicion that Andre could, if he really put his mind to it, actually act. Look it was either Andre 3000 or My Name is Earl's Crabman. Andre is the right decision.

Little Jackson 5 Michael

He's Hollywood's official cute kid poster boy and even though he doesn't exactly look the part, at least he’s already halfway to the hair. Plus his dad's Will Smith who, if you play your cards right might sign on as a producer or, whatever it is he does whenever Jaden's got a new project.

I really have no good excuse for casting the foul mouthed, trash-talking kid from Role Models in this movie, or in any movie. I'm pretty sure he can't sing and he definitely looks nothing like Michael. I wouldn't however bet against him having awesome dance moves but mostly I'm casting him for my own amusement and because he's probably not going to take any of that shit from his Dad. Let's rewrite history a bit. Have Michael kick Joe Jackson in the nads. That asshole has it coming for what he did to him.
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